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It's a
Small World The following review will go into explicit detail regarding the attraction and the surprises it may conceal. If you choose to read on, be warned that it may detract from your first ride on the attraction. Although
hated in certain rings, if only because of the infectiously catchy theme
tune that goes with it (…it’s a small world after all…), love it
or hate it, It’s a Small World is one of Disney’s trademark
attractions that no Disney park seems able to open without. Each
one at each park is slightly different from the point of view of
approaching it, but the
concept remains that it is a gentle boat journey
through the countries of the world, with dancing and singing native
dolls resident at each turn. The
one at Disneyland Paris is perhaps the most impressive yet. The park had
it good from the start, being a new park, more technology, more thought,
and more style is evident from the main gate. And
so the trend continues, every ride uses better animatronics, is more
aesthetically pleasing, and from the outside, more impressive. This goes
for most of the rides, despite many being virtual clones, and It’s a
Small World, to look at, is one of the best yet.
The
Fantasy Land skyline is dominated by the cardboard cut out style, candy
coloured wonders of the world that front the building that your journey
will take place in. It looks great, and upon inspection you can see the
windmills of Holland and pyramids of Egypt. In
the middle, a clock tower, and upon every fifteen minutes bursts into
life with a small carnival of figures parading around the front. The
park’s Disneyland Railroad is also cleverly built into the front,
weaving in and out of the landmarks fronting the building.
The
main photo point here is the globe, topped by a comical boat, captained
by various dolls with water bubbling out from under and flowing down
over the globe. It’s a nice water feature, and with the building
behind, provides a good photo opportunity should you be that way
inclined. The
queue is off to the right hand side, and takes you over some neatly
manicured lawns, and along the front of the building. Here the boats
disappear into the building, the sides of the small pool that the boats
pass through surrounded in flowers and perfect topiary animals and
characters.
Two
boats at a time are unloaded, and two boats at the same time are loaded.
The boats are just like any other dark boat ride, consisting of four or
so benches in a row, each brightly coloured. Upon
leaving the station, you turn to the left, covered by a glass roof, past
the queue line, and into the building. You go through a corridor, on
each side, signs welcoming you in various languages. You then enter the
main room of the ride. It
is truly overwhelming. The ride takes place inside what is essentially
one huge room. It is the clever use of the set pieces that means through
every turn you make, the next scene is hidden.
Each
country has a host of native dolls dancing, parading and singing along
to the world famous theme. Each scene takes place on set pieces of
brightly coloured wonders, buildings or landmarks that each country is
famed for. You
pass under the famous London landmark, Tower Bridge, soon after, to your
left, Paris’ Eiffel Tower and Can-Can dancing dolls strut their things
on a bridge that you go through. It
is after this that the ride continues. You go through Egypt with its
pyramids, India and the Taj Mahal, Holland and its windmills behind
fields of tulips. Each country is larger than life, each hosting legions
of dancing dolls, all themed to their respective country. Although
the ride does nothing but stereotype each country with dolls donning
clogs in Holland, lederhosen respectively in Germany, there are always
the politically correct token black dolls interspersed with Disney’s
perception of the world.
The
scenes continue. All are large, colourful and undeniably spectacular.
With each country, music styles change, despite it being the same,
infamous ‘It’s a Small World’ theme. In Scotland, for example,
bagpipes drone the tune, whilst in India sitars play the theme. With
the building being so gargantuan, the ceiling is high above you, and
often from it hang more parts of the scenery, plus coloured spotlights
bring the scenes to life. As you pass through the American section, with
a Wild West style scene, you pass under a final archway into the
ride’s finale. The
theme here is of a world brought together. Dolls from all around the
world converge, donning their best attire of pure white suits and bow
ties, and in a magical fairground with more glitter than Las Vegas,
carousels, big wheels and other rides, the dolls ride, sing and lay on
the feel-good factor to sickening extremes. After
this climatic ending, a muted Small World theme plays as you cruise
through a tunnel similar to the one you entered through, this time each
flag or banners salutation is wishing you well. From
here you leave the boat, and pass through a magical room full of
buildings. Through the windows, more treats for the children and parents
alike before you are cast back into the candy-coloured normality of the
park. It’s
a Small World is a ride people love to hate. Often, on the inside
though, people do love it, if not the theme-tune. The French version is
much more opulent than the American versions taking part in a huge
cavernous hall, yet, with the clever use of backdrops and set pieces, it
still retains the charm synonymous with all other incarnations
elsewhere. The
animatronics are rather endearing, each with a rather bleak repertoire
of turning, leaning, dancing or the ability to repeat some other basic
movement over, and over, and over… The sets are beautiful too, each a
work of art and perfectly complementing the last. Lighting is used to
the riders’ advantage too, and clever contraptions like the kites that
continually circle, rising and falling as they do are ingenious. The
ride is so Disney it can make you green about the gills. It shows what a
blinkered view Disney wants you to think they have. We may leave the
ride thinking that Disney does actually believe that the world does from
time to time unite in love. Whilst in some vague cases it may, it is a
ride that perhaps was very meaningful a few decades ago, but now is so
thin and dogmatic that you can only come off and think ‘ahh, how
cute’. This
is by no means a bad thing, and in-fact probably adds to the innocence
of the whole ride, it is just a happy-happy, joy-joy smoke screen on the
face of one of the most cajoling and inveigling companies ever to grace
this galaxy, which again, isn’t necessarily a bad thing, it is just
Disney – as is the ride.
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