.
Yet,
in the darkest alleyway, Halloween Horror Nights has managed to creep up
on the opposition and slaughter them all. Frankly, by the time we got to
Halloween Horror Nights V, it was a bloodbath, with the event already
offering five mazes, two scarezones and three shows with admission
jumping to almost $40 USD.
By
the time you read this, this year’s Halloween Horror Nights will have
opened. This season’s admission is nearly $60 USD for the event alone,
but includes seven mazes, four scarezones, two shows and a cast of
thousands of so-called scareactors.
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This
year's HHN is ingeniously based around 'The Storyteller' |
Furthermore,
each Halloween Horror Nights revolves around a central theme, and almost
every maze and scarezone is transformed annually. This is no modest
undertaking – HHN doesn’t just slap victims around the face, it
bludgeons them into submission.
Of
course, to compare Universal and Tussauds is unfair. It is also a folly
to expect British events to ever become as popular as American events.
Not only does the unpredictable weather conspire against us, but so too
does British apathy towards special events.
But
that isn’t to say a similar undertaking at Thorpe Park wouldn’t be
as popular, it is just a case of building on the already established
interest. Fright Nights already have a captive audience, the mazes are
popular beyond belief, and while measured steps such as limiting people
to one go per maze help the cause, it seems a false economy to reign
this majestic stallion on the first bend when it could be charging the
final furlong.
One
of the biggest problems is that the mazes open late afternoon. This is
because it is unreasonable to expect the cast of monsters and ghouls to
work in such miserable conditions for the entire day, so this means that
everyone in the entire park is forced to descend upon the mazes in the
evening.
So,
with more mazes giving more people more options, it also increases the
overall capacity of Fright Nights without having to increase the
operating hours of either the park or event.
Of
course, more mazes mean more actors, and more actors means more expense
on the part of the park. So, while the event matures, I think it would
be a completely reasonable proposition to charge visitors £10, maybe
even £15 for a wristband or ticket that enables you to do the extra
shows, an extra attraction or two and maybe three or four mazes.
The
constant rumour that Tussauds are considering charging for the mazes has
been met with hostility from enthusiasts, which – to a certain extent
– is understandable, but it seems they’re angry for fairly selfless
reasons, where-as in my case I cannot understand Thorpe’s reasoning
behind charging.
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The
itinery grows with shows like this, but the queues grow too. |
Thorpe
Park have before justified the proposed charges as being their solution
to deal with the overcrowding of the two mazes; think of it as a tax,
where by charging people, it puts them off joining the queue. As the
event becomes more and more popular, it seems a complete nonsense to try
and limit the success of an event that could be allowed to mature much
like Halloween Horror Nights has been.
I
fear that without a single charge for the entire event (creating a clear
self-perpetuating budget), the money will be lost in bureaucracy as
opposed to being reinvested into Fright Nights.
This
isn’t to say that Fright Nights isn’t growing; since the first year,
Circus of Horrors has been added, and this year should see the addition
of another show. But the heart and soul of Fright Nights remains with
the mazes, and while Thorpe Park have hardly neglected them, it is on
this front that the event needs to grow.
Halloween
Horror Nights was a success from the first year, but Universal refused
to let that success be a limitation. They used Halloween Horror
Nights’ popularity as a fuel to drive the event forward into the
future. They acted upon HHN’s popularity, added more and more every
year and made measured steps to ensure that it became the best of its
type.
Thorpe
Park should embrace Fright Nights, and on a local level identify the
very most popular aspects of the event, and build upon them
proportionately. As the event matures, people will become more and more
willing to pay more and more money for it, and the event’s popularity
will snowball.
Continues...
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